he basically was saying, what have you been up to and I was playing him some of my songs and he said, “You know what?” He said, why don’t you put these together on a record? You know, there’s a continuity and there’s a certain flow here that seems as though they would work together. And eventually, I was making tapes and so on and so forth, as one does, and eventually I played the tape to a guy that I came across actually in Germany, who had a label called Rockville Records. So this was a new mileu for me and something which I got into, and after a period of time, I started to accumulate a body of work. you go out of your comfort zone, but definitely, when you’re working with a variety of different people, you explore a variety of different experiences. when you work with different people, you go into areas you wouldn’t normally touch on. I mean, just meeting someone that I didn’t know and sitting down and trying to write a song. And in the mid-’80s, I thought I wanted a change of scene, and I came to live in New York City, and I started to work with lots of different other writers, which was a totally new thing for me. But all things sort of pass, and eventually, Procol Harum.
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